Sunday, November 3, 2013

-15.4-


Part 2:
While staying at a family friend's house in Seattle, I watched two Shakespeare documentaries.

Henry IV/V:
I watched henry IV/V documentary in Seattle to make up for missing the airing of the actual Henry IV (pt 2), and I loved it.

The film gave great context for both plot and film techniques (the fact that Jeremy Irons narrated the film was a plus, too!). It talked about the writing behind the play, and filming behind the scenes bits of the Hollow Crown. (It amazed me to see how much background noise there was before editing.)

The film introduced some interesting creative concepts. For example, Shakespeare broke a STAC rule by having a disclaimer at the beginning of Henry V - He apologized for not being able to have many set changes, so the audience would have to use their imagination for when scenes changed to more ambitious settings!
...Conversely, Shakespeare followed a STAC rule by stealing the French Bishop's speech.

The ardour of the Shakespearian researchers and actors fascinated me. I have mixed feelings about Shakespeare, but seeing these people talk so enthusiastically about Shakespeare made me enjoy the documentary even more. I found Shakespearian acting very interesting...In a way, the actors are physical scholars - they debate the meaning of the plays academically, then put their collective interpretation on stage to the judgment of the audience. The age of the play also put into context English history with American history. The play happened hundreds of years before Shakespeare's time, and Shakespeare was hundreds of years before the Revolutionary War was even fought!

The last scene of the documentary addressed the theme of how futile war is. In Henry V, the poor fight the battles of the king, and take enormous losses; France is conquered, then in the next generation everything gained is lost. "Have we really moved on?" Mr. Irons asks, as he walks through an Arlington-like grave in France.
Although a bit off-topic from the plays, I thought this message was very powerful. It really connected Shakespeare to the world at large.

Richard II:
I went in reverse order, since Richard II, Henry IV, and Henry V are a trilogy, and I slightly regret doing that, since Richard II gave even greater context to the Henry IV/V documentary.

I was fascinated before with the contrasting appearance of the three kings, especially the pure look of Richard II, and the documentary provided me with the explanation of Richard II's, which made me even more interested in this elusive character.
The documentary portrays Richard II as a king who believed he was actually from God. The director chose to have Richard behave as if he was a saint, as if he was above humanity. From the few clips I have seen from Richard II, I must say that the Mr. Whishaw pulled the character off excellently! An added bonus is that Mr. Whishaw acted in Cloud Atlas, a STAC film from last year! His character as Richard II seems to be quite a contrast with the composer character from Cloud Atlas...

I do admit, the second half of the documentary was a bit drier, but I found the introspection into the King's character most interesting. As I've said, I loved both of the documentaries, and I really must watch the Hollow Crown!

1 comment:

  1. Hey there - interesting post. I have a question. How does this break a STAC rule, and what is the STAC rule that is being broken?

    "For example, Shakespeare broke a STAC rule by having a disclaimer at the beginning of Henry V - He apologized for not being able to have many set changes, so the audience would have to use their imagination for when scenes changed to more ambitious settings!"

    ReplyDelete